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EagleCentric & Plutonic (FO) HJF & Summartónar

EN
EagleCentric is Arnold Ludvig’s solo electronic music project.
EagleCentric has released his digital full-length album, “Pushing Envelopes,” with a vinyl release scheduled for 2025.
The 1st single, “Sandonian Comfort” received A-rotation on Skylab Radio in the UK.                      All singles, including “Apple A Day”, “Whatcha Gonna Do About It”, an energetic Dancetronica track, and “Beautiful Clock”, were well-received.
As a composer, producer, and performer, Arnold does everything himself. In addition to recording, mixing, and mastering, he also filmed and edited all four videos for his singles.
He performs primarily using Ableton Live with various MIDI controllers and samples of voices to generate electronically manipulated soundscapes, including whistling, bass, guitar playing, and other instruments. The genre is a palette of Electronica, Jazztronica, Dubstep, Ambient, Dancetronica, and experimental.
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Whatcha Gonna Do About It:
https://www.youtube.com/watch?v=l1zc4dXWggM
Sandonian Comfort:
https://www.youtube.com/watch?v=jawLgP9Znws
Apple A Day:
https://www.youtube.com/watch?v=9elh_IC79Ok
Beautiful Clock:
https://www.youtube.com/watch?v=ub6tB_rTgnU
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EN
Plutonic, also known as Anna Iachino, presents poetry and lyrics accompanied by rhythmic music and samples, played on a MIDI mini keyboard through Ableton Live.
This is Anna’s new electronic project as a singer and electronic composer, returning to her love of moving to music by creating music for the dance floor.
On November 30th, 2024, Plutonic released its first single, “Where’s The Trauma?” and “Pain” on December 30th, to rave reviews.
Plutonic’s music is an infectious electronic dance genre characterized by an experimental dance-punk sound featuring punchy rhythms filtered through an avant-garde lens. It’s a brash and angsty jam that’s equally unique and gripping, with an original vibe.
Live performance reel of “Where’s The Trauma” by Plutonic:
https://www.facebook.com/reel/1151542419784927
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REVIEW – Where’s The Trauma?
“Anna Iachino is one of those artists who manage to defy every expectation, every conventional trajectory we’re used to seeing in the music world. At 63 years old, she’s stepped into the realm of electronic music like she was born for it, boldly dancing through life’s hardships with a candidness that makes her work feel alive. Her project, “Plutonic,” embodies a stunning turnaround, vibrant proof that it’s never too late to create, express, or move. But Plutonic does not dabble in electronics; she lives, owns, and most of all, dances to them. Her multi-faceted art as a composer, producer, and live performer is as inspirational as it is rebellious against the expected norms. And, judging by her latest single titled “Where’s The Trauma?” she’s here to disrupt and enchant equally.
“Where’s The Trauma?” comes charging out of the gate with an energy that commands. A pulsating bassline forms its very backbone, while a steady heartbeat keeps the song grounded while layered rhythms and melody spiral up. The production is very detailed, as none of the sounds seem out of place at all. Each synth stab, each tick from a hi-hat, and each jab from the drums serve a purpose in creating a sonic tapestry that is intricate yet danceable.
The song is a total rocker, a wondrously infectious electronic dance music tune where you have to feel like dancing. Driven by a hypnotic groove, the strong bass lays the track’s backbone, while bright arched synths and dynamic buildup fuse into euphoric moments.
The vocals are the lifeblood of the track, repeating the titular refrain “Where’s the trauma?” Her voice strikes a note of tension, intimate insubordination. Anger and frustration are heard along with an intense release. Production complements this perfectly while maintaining distinctly spacious mixes, as the voice cuts through almost starkly, cleanly, against that lush backdrop of synth pads and driving percussion. The dynamic use is downright brilliant, allowing less frenetic moments indeed to yield explosive drops, not to mention the rich, textured, and deeply immersive sound design.
I found myself completely swept up in the energy of this track. The first beat just grabbed hold and didn’t let go. The way it builds and unfolds is sensational. It makes you want to get up and dance, no matter where you are. Do yourself a favor: if you haven’t already, stream “Where’s The Trauma?” by Plutonic right now.”
  • Saiid Zeidan, Medium, January 27, 2025
https://medium.com/@saiidzeidan/https-www-saiidzeidan-com-wheres-the-trauma-by-plutonic-352a0abf5719
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FO

EagleCentric er einsamalla elektronisk tónleikaverkætlan hjá Arnold Ludvig.
EagleCentric hevur givið út sína talgildu fløgu í fullari longd, “Pushing Envelopes”, og ein vinyl útgáva skal út í 2025.
staklagið, “Sandonian Comfort” fekk A-rotatión á Skylab Radio í Bretlandi. Øll stakløgini, eitt nú “Apple A Day”, “Whatcha Gonna Do About It”, eitt orkuríkt Dancetronica-lag, og “Vakra klokkan”, fingu góða móttøku.

Sum tónasmiður, framleiðari og tónleikari ger Arnold alt sjálvur. Umframt at taka upp, blanda og mastera, filmaði og klipti hann eisini øll fýra videobrotini til síni stakløg.

Hann framførir fyrst og fremst við at brúka Ableton Live við ymiskum MIDI-stýringum og sýnum av røddum til at framleiða elektroniskt manipulerað ljóðlandsløg, eitt nú floyta, bass, guitarspæl og onnur ljóðføri. Sjangran er ein paletta av elektronikki, jazztronikki, dubstep, umhvørvi, dansitronikki, og eksperimenterandi.

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Whatcha Gonna Do About It:
https://www.youtube.com/watch?v=l1zc4dXWggM
Sandonian Comfort:
https://www.youtube.com/watch?v=jawLgP9Znws
Apple A Day:
https://www.youtube.com/watch?v=9elh_IC79Ok
Beautiful Clock:
https://www.youtube.com/watch?v=ub6tB_rTgnU
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FO

Plutonic, eisini kend sum Anna Iachino, leggur fram skaldskap og tekstir saman við rútmiskum tónleiki og sýnum, sum verða spæld á einum MIDI mini-knappaborði gjøgnum Ableton Live.

Hetta er nýggja elektroniska verkætlanin hjá Annu sum sangari og elektroniskur tónasmiður, har hon kemur aftur til sín kærleika til at flyta til tónleik við at skapa tónleik til dansigólvið.
Tann 30. november 2024 gav Plutonic út sítt fyrsta staklag, “Where’s The Trauma?” og “Pain” 30. desember, fyri at rave ummæli.

Tónleikurin hjá Plutonic er ein smittuberandi elektronisk dansisjangra, sum er eyðkend av einum eksperimenterandi dansi-punk ljóði við punchy rútmum, sum eru filtraðar gjøgnum eina avantgarde linsu. Tað er ein snøgg og angsty sylta, sum er líka serstøk og gripandi, við einum upprunaligum stemningi.

Beinleiðis framførsla av “Where’s The Trauma?” hjá Plutonic:

https://www.facebook.com/reel/1151542419784927

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UMMÆLI – Where’s The Trauma?
“Anna Iachino er ein av teimum listafólkunum, sum megnar at troysta øllum væntanum, øllum vanligum leiðum, sum vit eru vanir at síggja í tónleikaheiminum. Sum 63 ára gomul er hon farin inn í elektroniskan tónleik, sum um hon er fødd til tað, og dansar djarvt gjøgnum lívsins trupulleikar við einum ærligheit, sum ger, at hon kennir seg livandi.

Hennara verkætlan, “Plutonic”, inniheldur eina fantastiska vending, eitt livandi prógv um, at tað ongantíð er ov seint at skapa, úttrykkja ella flyta seg. Men Plutonic dabblar ikki í elektronikki; hon býr, eigur og mest av øllum, dansar til teirra. Hennara fjøltáttaða list sum tónasmiður, framleiðari og livandi tónleikari er eins inspirerandi og uppreistrarhugað móti væntaðu normunum. Og, at døma eftir nýggjasta staklagnum hjá henni við heitinum “Where’s The Trauma?” hon er her fyri at órógva og fortrylla javnt.

“Where’s The Trauma?“ kemur løðandi út um portrið við eini orku, sum skipar. Ein pulserandi basslinja myndar sjálvan ryggin, meðan eitt støðugt hjartasláttur heldur sanginum grundaðum, meðan lagdar rútmur og melodi spirala upp. Framleiðslan er sera detaljerað, tí eingin av ljóðunum tykist yvirhøvur út av lagi. Hvørt synth-sting, hvørt tick frá einum hi-hatti, og hvørt jab frá trummunum tæna einum endamáli við at skapa eitt soniskt gobelin, sum er fløkt, men tó dansandi.

Lagið er ein totalur rockari, ein undurfult smittuvandamikil elektroniskur dansitónleikatóni har tú skalt hava hug at dansa. Drivin av einum hypnotiskum groove, leggur sterki bassurin ryggin á lagnum, meðan ljósir bogaðir synth og dynamisk buildup smelta saman til euforiskar løtur.
Vokalurin er lívsæðrin í lagnum, og endurtekur heitið “Where’s The Trauma?” Røddin hjá henni slær eitt tónalag av spenningi, inniligum ólýdni. Vreiði og frustratión hoyrast saman við intensari útgávu. Framleiðslan fyllir hetta fullkomiliga upp, samstundis sum hon varðveitir eyðsýnt rúmligar blandingar, tá røddin sker ígjøgnum næstan sterkt, reint, móti tí gróðrarríku bakgrundini av synth pads og koyrandi slagverki. Dynamiska nýtslan er púrasta ljómandi, og ger, at minni frenetiskar løtur av sonnum kunnu geva spreingidropar, ikki minst tað ríka, tekstureraða og djúpt søguliga ljóðsniðið.

Eg fann meg fullkomiliga sópaðan upp í orkuna á hesum teininum. Fyrsta slagið tók bara í og ​​slepti ikki. Mátin, tað byggir upp og útviklar seg uppá, er sensationellur. Tað fær teg at reisa teg og dansa, líkamikið hvar tú ert. Ger tær sjálvum eina tænastu: Um tú ikki longu hevur gjørt tað, so stroyma “Where’s The Trauma?” av Plutonic beint nú.”

 

21:00
Thu, August 14, 2025
Blábar
100,-